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"When I sleep I often have nightmares. I can already hear your readers saying: 'I knew that. The way your songs sound you must really have horrible nightmares.' Just like the one I'm describing in the song Black-Dove on my last album From The Choirgirl Hotel. I see a black dove. I see its face clearly. The dove is transparent, like it is made of ice. I can see my hand through it. An auger goes through it and it is bleeding water. To get the same atmosphere musically I had to describe a scene of the movie Fargo to my musicians. A car is coming towards the camera from a long distance, very slowly. You know it will arrive in a moment. But you hope that this will never happen. My nightmares are so bad, that I mostly reject it when my friends want to take me to a cinema to watch a horror movie. Then I say: 'No, thank you. I will dream in a few hours.' Sometimes I feel like Hermann Hess' Steppenwolf... The nightmares agonized me since my childhood. I am the daughter of a Methodist preacher and as a child I was sexually abused by a friend of the family. I think that the nightmares are telling me things about me I need to know. And I try to understand what they mean. Maybe so I can get to know something more about my soul."
-- Tori; Die Zeit, November 11, 1999
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